Multi-platinum, Grammy Award-winning band Imagine Dragons will release their fourth studio album, entitled Origins, on November 9th. Origins was conceived as a sister album to Evolve, which was certified double-platinum within a year of its release and spawned three No.1 hits. The new album, Origins includes the band’s current #1 single “Natural”, as well as “Zero”, from Walt Disney Animation Studio’s upcoming film Ralph Breaks The Internet.
In November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” Ringo Starr’s “Don’t Pass Me By” marked his first solo songwriting credit on a Beatles album. For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn.
On November 9, The Beatles will release a suite of lavishly presented ‘White Album’ packages (Apple Corps Ltd./Capitol/UMe). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.
“We had left Sgt. Pepper’s band to play in his sunny Elysian Fields and were now striding out in new directions without a map,” says Paul McCartney in his written introduction for the new ‘White Album’ releases.
This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.
“In remixing ‘The White Album,’ we’ve tried to bring you as close as possible to The Beatles in the studio,” explains Giles Martin in his written introduction for the new edition. “We’ve peeled back the layers of the ‘Glass Onion’ with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.”
Charles Bradley's forthcoming LP, Black Velvet is an extraordinary collection of 10 tracks making their LP debut. In addition to fan favorites like Charles covers of Nirvanas 'Stay Away', Neil Young's 'Heart Of Gold', and Rodriguez's 'Slip Away' - this album features 4 never-before-heard tracks from Producer Tommy 'TNT' Brenneck's vaults.
Set for release on November 9, the bands fourth LP 'Take Good Care' is previewed with the first single 'All My Friends,' a song brimming with confidence that unleashes the bands next chapter. The track which is already Top 3 at AAA and Top 10 at Modern Rock. 'All my Friends' will cross over to Hot AC in early October followed by Top 40. This is just the start! 'You Said it All', 'Oh No' and 'Some People Say' are just a few of the potential chart-toppers in this collection, which was co-produced with Dave Cobb (Sturgill Simpson, Chris Stapleton) and Andrew Dawson (Kanye, Fun) it's a project showcasing new found depth and craft that mark a band bent on proving they are far more than a band synonymous with a single song.
14 tracks spanning Laura Jane Grace's fractured relationship with her adopted hometown of Chicago, true friendship, complicated romance, and reconciling everything in the end, Bought to Rot stands as the most musically diverse collection of songs Grace has written to date. Inspired in large part by Tom Petty's Full Moon Fever, the first album Grace ever owned, Bought to Rot finds her at the same age Petty was when he created his solo debut masterpiece. In light of his recent passing, Grace was motivated to pay homage to one of her lifelong heroes. Laura Jane Grace & the Devouring Mothers are Laura Jane Grace, Atom Willard, and Marc Jacob Hudson. Grace is a musician, author, and activist best known as the founder, lead singer, songwriter, and guitarist of the punk rock band Against Me!. Willard, also of Against Me!, is a drummer who has played in iconic punk bands such as Rocket from the Crypt, Social Distortion, and The Offspring. Devouring Mothers bassist Hudson is a recordist and mixer at Rancho Recordo, a recording studio and creative space in the woods of Michigan, and the sound engineer for Against Me!.
Old 97's founding member Rhett Miller returns with his 7th solo album, The Messenger. Recorded earlier over five days at The Isokon in Woodstock, NY with producer/musician Sam Cohen (Kevin Morby, Benjamin Booker), The Messenger sees Miller playing it faster and looser than perhaps any other time in his quarter century career, instilling what might be his most personal songs to date with a groovy limberness that belies the reflective darkness within. Backed by a white hot backing combo comprised of Cohen (Electric & Acoustic Guitars, Pedal Steel Guitar, Piano, Organ, Second Drumset), Brian Betancourt (Bass), and Ray Rizzo (Drums), Miller goes deep into his own youthful experiences with suicide and depression, placing "a long distance phone call to myself as a 14-year-old" on surprisingly buoyant new songs like "The Human Condition" and "Permanent Damage."
Near the end of Reagan's first term, the Western Massachusetts Hardcore scene coughed up an insanely shaped chunk called Dinosaur. Comprised of WMHC vets, the trio was a miasmic tornado of guitar noise, bad attitude and near-subliminal pop-based-shape-shifting. Through their existence, Dinosaur (amended to Dinosaur Jr. for legal reasons) defined a very specific, very aggressive set of oblique song-based responses to what was going on. Their one constant was the scalp-fryingly loud guitar and deeply buried vocals of J Mascis. A couple of years before they ended their reign, J cut a solo album called Martin + Me. Recorded live and acoustic, the record allowed the bones of J's songs to be totally visible for the first time. Fans were surprised to hear how melodically elegant these compositions were, even if J still seemed interested in swallowing some of the words that most folks would have sung. Since then, through the reformation of the original Dinosaur Jr lineup in 2005, J has recorded solo albums now and then. And those album, Sings + Chant for AMMA (2005), Several Shades of Why (2011) and Tied to a Star (2014) had all delivered incredible sets of songs presented with a minimum of bombast and a surfeit of cool. Like its predecessors, Elastic Days was recorded at J's own Bisquiteen studio. Mascis does almost all his own stunts, although Ken Miauri (who also appeared on Tied to a Star) plays keyboards and there are a few guest vocal spots. These include old mates Pall Jenkins (Black Heart Procession), and Mark Mulcahy (Miracle Legion, etc.), as well as the newly added voice of Zoë Randell (Luluc) among others. But the show is mostly J's and J's alone. He laughs when I tell him I'm surprised by how melodic his vocals seem to have gotten. Asked if that was intentional, he says, “No. I took some singing lessons and do vocal warm-ups now, but that was mostly just to keep from blowing out my vocal cords when Dino started touring again. The biggest difference with this record might have to do with the drums. I'd just got a new drum set I was really excited about. I don't have too many drum outlets at the moment, so I played a lot more drums than I'd originally planned. I just kept playing. [laughs] I'd play the acoustic guitar parts then head right to the drums.” There is plenty of drumming on the dozen songs on Elastic Days. But for those expecting the hallucinatory overload of Dinosaur Jr's live attack, the gentleness of the approach here will draw easy comparisons to Neil Young's binary approach to working solo versus working with Crazy Horse. This is a lazy man's shorthand, but it still rings true. Elastic Days brims with great moments. Epic hooks that snare you in surprisingly subtle ways, guitar textures that slide against each other like old lovers, and structures that range from a neo-power-ballad (“Web So Dense”) to jazzily-canted West Coasty post-psych (“Give It Off”) to a track that subliminally recalls the keyboard approach of Scott Thurston-era Stooges (“Drop Me”). The album plays out with a combination of holism and variety that is certain to set many brains ablaze. J says he'll be taking this album on the road later in the year. He'll be playing by himself, but unlike other solo tours he says he'll be standing up this time. “I used to just sit down and build a little fort around myself -- amps, music stands, drinks stands, all that stuff. But I just realized it sounds better if the amps are higher up because I'm so used to playing with stacks. So I'll stand this time.” I ask if it's not pretty weird to stand alone on a big stage. “Yeah,” he says. “But it's weird sitting down too.” Ha. Good point. One needs to be elastic. In all things. --Byron Coley
Star Trek: Discovery follows the voyages of Starfleet on their missions to discover new worlds and new life forms, and one Starfleet officer who must learn that to truly understand all things alien, you must first understand yourself. Over 2 hours of exclusive special features, with never-before-seen cast and crew interviews, deleted scenes, and more!
In a visceral modern thriller from the director of Lone Survivor, Mark Wahlberg stars as James Silva, an operative of the CIA's most highly-prized and little-known unit. Aided by a top-secret tactical command team, Silva must transport an asset (Iko Uwais) who has vital information to an airfield for extraction before the enemy closes in. Also starring Lauren Cohan, Rhonda Rousey, and John Malkovich, this film is "loaded with edge of your seat action" (Steve Weintraub, Collider).
2LP w/ DL, bonus EP with 4 traditional covers, blue vinyl, insert
Anchored by poignant songwriting and their intimate live shows, Mandolin Orange (Andrew Marlin and Emily Frantz) has quietly and confidently found their audience. On February 1, they will release a new album, Tides of a Teardrop, through Yep Roc Records. Thematically this album is a release for Andrew Marlin, the group's songwriter. He lost his mother at a younger age, and although that has impacted his writing in the past, this collection of songs is thematically about letting go and finding peace. Marlin and Frantz were joined by their touring band and for the first time, took more than a few quick days between tour, to record the album. That level of comfort shines through in the band's most accomplished set of songs to date.
This collection of personal favorites and important milestones is the first anthology to span Petty’s entire career, from the first album to Mudcrutch 2. The album contains 38 tracks on 4 LP’s including the hits “Free Fallin’, American Girl, “You Don’t Know How It Feels”, You Wreck Me: and many more. The album also includes two unreleased tracks, “The Best of Everything (Alternate Version)” and the previously unreleased and unheard “For Real”.
The eagerly awaited album from Scottish singer-songwriter Nina Nesbitt, ‘The Sun Will Come Up, The Seasons Will Change’ will be released on the February 1, 2019 through Cooking Vinyl. Having obtained over 100 million streams between singles since signing her new deal with Cooking Vinyl, the new album shows Nina at her lyrical and musical best. ‘The Sun Will Come Up, The Seasons Will Change’ has been three years in the making and bears no hint of compromise as Nina demonstrates her unique talent for acute lyrical observations and ear-worm melodies. Heralding a musical change of direction from Nina with more obvious pop influences, the album is a scintillating journey through a whole range of genres and moods.
Born and raised in Nairobi, Kenya, J.S.Ondara fell in love with Bob Dylan and moved to Minneapolis Minnesota when he was 20 to pursue a career as a singer-songwriter.He notes other musical influences as Neil Young, Noah Gundersen, Damien Rice and Ray LaMontagne. His debut album, Tales of America, is an examination of the American Dream from an outsider's perspective; an introspection on a universal matter.
Unloved is the trio of vocalist Jade Vincent, Keefus Ciancia (known for his collaborations with T-Bone Burnett, including the soundtrack to True Detective, and his unprecedented project with Jeff Bridges, Sleeping Tapes) and David Holmes (one of the world's most innovative DJs turned composer whose work includes Steven Soderberg's Ocean's Trilogy). Sharing a love for 60s' girl groups, French pop and film noir soundtracks, they have a sound at once hauled out of the silty depths of the past, and simultaneously wholly modern. Vincent's sublime voice and lyrics, possess an aching, rich-smoked tone of loss and love. Unloved's second full length record Heartbreak, was emboldened by its predecessor to be more emotionally exposed, more musically, lyrically, and vocally audacious. To enter the world of Unloved is to surrender oneself to a great musical immersion, where thoughts soften, ideas mingle with twisted mancini-esque orchestrations and music binds the dawn and dark.
Single LP on black vinyl with euro sleeve. Includes coupon for full download
The cliché that circulated after the 2016 election foretold a new artistic golden age: Artists would transform their anger and anxiety into era-defining works of dissent in the face of authoritarianism.
Yet Bob Mould calls his new album Sunshine Rock.
It’s not because Mould—whose face belongs on the Mount Rushmore of alternative music—likes the current administration. His decision to “write to the sunshine,” as he describes it, comes from a more personal place—a place found in Berlin, Germany, where he’s spent the majority of the last three years. Here Mould would draw inspiration from the new environments.
Jessica Pratt is not a loud performer. She does not have to be. In a club of a few hundred, even the bar staff are known to go quiet while she's on stage. Her third album, Quiet Signs, feels like a distillation of this power. The album leads off with "Opening Night," a nod to Gena Rowlands' harrowing, brilliant performance in the John Cassavetes film of the same name. It’s also an emblem of where this spare, mysterious collection of songs falls in the course of Pratt’s career.
"On some level I considered an audience while making the last record (2015's On Your Own Love Again)," she writes, "But my creative world was still very private then and I analyzed the process less. This was the first time I approached writing with the idea of a cohesive record in mind."
After a collection of demos and early studio recordings (Jessica Pratt, Birth Records, 2012) earned her a small, dedicated audience, Pratt moved from San Francisco to Los Angeles and recorded her first intentional album in her bedroom in a matter of months. That album, On Your Own Love Again (Drag City, 2015), would bring her around the world many times, leading many to fall under the spell of Jessica Pratt the performer, the songwriter, the singer with the heavy-lidded voice that feels alien and familiar at the same time.
Her first album fully recorded in a professional studio setting, Quiet Signs finds Pratt's songwriting and accompanying guitar work refined -- more distinct and direct. Songs like "Fare Thee Well" and "Poly Blue" retain glimmers of OYOLA's hazy day afternoon spells, yet delicate flute, strings sustained by organ arrangements, and rehearsal room piano now gesture towards the lush chamber pop and longing of The Left Banke. On the album’s first single, "This Time Around," Pratt hits on a profound, late-night clarity over just a couple of deep chords, evoking Caetano Veloso's casual seaside brilliance. And before the curtain drops on Quiet Signs, Pratt provides a show-stopping closer, "Aeroplane."
In the world of Quiet Signs, the black of night usually represents fear, despair, resignation; finally at home descending towards the illuminated city, she sings over black leather drone and tambourine shuffle with a newfound resolve. Quiet Signs is the journey of an artist emerging from the darkened wings, growing comfortable as a solitary figure on a sprawling stage.
The album was written in Los Angeles and recorded at Gary's Electric in Brooklyn, NY over 2017 and 2018. It was co-produced by Al Carlson. He plays flute, organ and piano on some songs. Matt McDermott also played piano and string synthesizer. It will be released on Mexican Summer on February 8, 2019.
The Lemonheads follow up the critically acclaimed Varshons from nearly ten years ago with another eclectic collection of covers. Produced by director Matthew Cullen and mastered by Howie Weinberg (Beastie Boys, Nirvana, The Ramones), their tenth studio album brims with the slowly-matured vocal of Evan Dando as he lures a host of personal faves to his melodic lair. He really has become one of the great expressive singers of our time.
Double LP on light pink vinyl Gatefold jacket Standard weight Includes digital download Artwork painted by Hisaki Yasuda
South Of Reality, The Claypool Lennon Delirium’s epic sophomore album might be just the antidote this sick world needs. Music so potent it could repel an asteroid impact from space, these seasoned warriors of psychedelia have crafted timeless songs that may as well be chiseled in stone. The monolithic dream team’s new record was produced by Les Claypool and Sean Lennon themselves, and engineered and mixed by Les Claypool at his own Rancho Relaxo studio in Sonoma County, California.
Each song on Bayonne's Drastic Measures is orchestral in texture, unfolding in countless layers and kaleidoscopic tones. With great intensity of detail, the Austin-based artist otherwise known as Roger Sellers deepens that sonic complexity by weaving in elegantly warped samples of the field recordings he's gathered for over a decade. But in its powerful melodies and pristine arrangements, Drastic Measures ultimately bears a pure pop lucidity even in its most grandiose moments. Throughout the album, Sellers matches his bursts of experimentation with the graceful piano playing he's honed since he was a little kid. By his early 20s he'd discovered minimalist composers like Steve Reich and Terry Reilly, which led him to infuse an atmospheric, ethereal quality into much of his work. With the release of Primitives in spring 2016, Sellers adopted the moniker of Bayonne as a way to distinguish his more electronically crafted output from his other musical projects. I'd been playing a lot of shows with a very folk-based set, so using a different name was a way to separate those two personalities, he explains. In bringing Drastic Measures to life, Sellers merged his increasingly classic-pop-inspired sensibilities with a production approach closely focused on looping, layering, and overdubbing. Even if you hear something simple like clapping or finger snaps, it's probably layered 10 or 20 times, he says. I just like to stack and layer everything to get these big sounds, and create a really wide sonic space within the songs.
Post-Apocalypto is the new album from acclaimed rock duo and basically everyone’s favorite band ever, Tenacious D -- comprised of Jack Black and Kyle Gass. The album is the companion to the band’s visual project Post-Apocalypto – The Series, an original, six-part animated video series from the minds of Tenacious D. Each frame of every episode was hand-drawn by Jack himself, with every character voiced by Black and Gass. The series begins rolling out on September 28th, 2018, via Tenacious D’s YouTube page, with a new episode every Friday after.
True to the title, Post-Apocalypto – The Series finds Tenacious D thrust into a world of complete and utter destruction following the drop of an atomic bomb. Surviving the attack in class cinematic fashion (a good old imperishable 1950’s refrigerator), the duo quickly learns that new forms of evil have spawned from the blast. One thing becomes apparent -- for humanity to prevail, Tenacious D must save the world.
The original electronic music trailblazers -The Prodigy- are back with some of their fiercest ever tunes. ‘No Tourists’, has been written, produced and mixed over the last year by Liam Howlett in his studio in London’s Kings Cross. Though this is – Liam notes – “very much a band album”. Maxim and Keef Flint are very much present and correct, each supplying their legendary vocal skills on this, the Essex machine’s seventh studio record. Yes, there are one or two collaborators, but fundamentally this is the sound of the central Prodigy three, bringing their riotous sound to audiences old and new, two decades since they changed the face and sound of electronic music with epochal album ‘The Fat Of The Land’. Expanding on the general shape of the project, Liam says: “this album is equally aggressive as the last records – but in a different way." A musician, songwriter and studio maestro, Howlett is as rigorous and righteously Up For It as he was when he formed his 28-years-young band. He explains that, as ever, the new songs “are built to play live. That’s the one thing that brings everything together. I couldn’t write this music unless it has that outlet on stage. That helps write the music. This is what I do it for: the live thing. And until we feel like we can’t do it, or the buzz goes, we won’t stop." It’s that sense of do-or-die commitment that is reflected in the album title. “To us, ‘No Tourists’ is ultimately about escapism and the want and need to be derailed. Don’t be a tourist - there is always more danger and excitement to be found if you stray from the set path.”
Since the early 90s Sweden’s Opeth have stretched the boundaries of heavy music. From the progressive death metal the band began with on classics like “Orchid” and “My Arms, Your Hearse” to the records like “Blackwater Park” and the band’s recent record, 2016’s “Sorceress”, Opeth has continually invited their growing audience along with them as they grew into the musically respected band they are today. Filmed and recorded in 2017 at Red Rocks Amphitheatre outside of Denver, “Garden of the Titans (Opeth Live at Red Rocks Amphitheatre)” is a 2-CD/BLU-RAY + DVD release (along with several vinyl color formats) consisting of tracks spanning the band’s nearly 30 year career.
Dreams still beckon in a damaged world, and Rosanne Cash renders them with fierce grace on She Remembers Everything, a studio recording arriving November 2 from Blue Note Records. The follow-up to Cash’s 2014 release The River & the Thread, recipient of 3 Grammys including Best Americana Album, the album offers shimmering pop—with hints of twang and jazz—that could find a home in almost any year of postwar American music. But the luminescence and bright production are shot through with a darker vision, trenchant vocals, minor chords, and bent notes that destabilize the landscape. Familiar yet alien, Cash's take on being a woman in the world reveals just how much has gone awry.
Closing out the four decades Cash has spent as a recording artist, She Remembers Everything contains echoes of nearly all her previous styles. Listeners familiar with "Seven Year Ache" or Interiors will recognize the knowing ache of this record. Those who listened to recordings and live shows in subsequent years—which have included residencies at the San Francisco Jazz Center, Carnegie Hall, and the Library of Congress—will likewise find the literary voice that has framed her more recent music. Cash's time focused on roots music also lends a classic form to her songwriting that makes it universal and timeless.
The debut album from Quavo, one third of the international supergroup “Migos”. Album includes the hit single “Workin Me” and additional album features from Drake, Travis Scott, Madonna, Cardi B, Lil Baby, Offset, Takeoff, and 21 Savage. Currently performing on “Drake & Migos” 42-date North American tour with Drake which started August 10th. His joint project with Travis Scott, “Huncho Jack,” debuted with 90K first week on the Billboard 200. The latest Migos album “Culture II” debuted at #1.
My childhood memories of Christmas aren't warm and fuzzy. The holidays were more of a nuisance for my parents than cause for celebration. This is not to say that on behalf of their only child they didn't give the season a halfhearted try. There were Christmases when I found under the tree an electric football set, a Daisy pump air-rifle and a basketball goal that never got nailed up. But, there were also mornings when apples, oranges, hickory nuts and a hammer signified that year's bounty. Which is to say that Christmas in our household was mostly a wait-and-see proposition. I was finally ready to record an album of original Christmas songs. With Dan Knobler producing and some very gifted musicians and vocalists lending their talents, the making of the album Christmas Everywhere ranks as some of the most enjoyable recording sessions I've ever experienced. The record was close to being finished when it occurred to me that to set the tone for the albums mostly irreverent subtext, I needed to compose a lyrical prelude. In honor of Clement Moore, who wrote the poem we all know as, 'The Night Before Christmas,' I came up with a short piece called 'Clement's Lament (We'll See You in The Mall)'. Tania Hancheroff and Kim Keyes stopped by the studio and performed the tune with Jordan Lehning's orchestral backing and the album was pronounced complete. Seasons Cheer, Rodney Crowell
Since their inception in Melbourne in 1981, Dead Can Dance have been informed by folk traditions from all over Europe, not just solely in terms of instrumentation, but also by secular, religious and spiritual practices. Their forthcoming album took shape as Brendan Perry became fascinated by long established spring and harvest festivals that had their origins in Dionysian religious practices throughout Europe. Dionysus brings to the fore the rites and rituals that today continue to be informed by the Greek god. The album's seven movements, in the form of an oratorio, represent different facets of the Dionysus myth and his cult. As with the rest of the Dead Can Dance catalogue, rhythms inspired by world traditions play a key role, with tracks seeming less like songs and more like fragments of a cohesive whole. Perry blends all of the album's elements together using field recordings and chanting, including a goatherd in Switzerland, beehive's from New Zealand, and bird calls from Mexico and Brazil. Perry uses this not only to invoke the album's atmosphere and symbolic references but also to demonstrate how music can be found everywhere. On Dionysus, sounds blend into one another to create an esoteric, atmospheric, at times magical realist experience for the listener.
Reprise Recordswill releaseAn American Treasure-a career-spanningTom Pettybox set.The 60-track set unveils dozens of previously unreleased recordings, alternate versions of classic songs, rarities, historic live performances and deep tracks that spotlight Tom's remarkable depth and evolution as a revered and tremendously influential songwriter, recording artist and performer.An American Treasuremarks the first release of Tom Petty music since the artist's tragic passing in October 2017.
An American Treasure: Vinyl Edition-A 6-LP set that features all 60 tracksand a 48-page booklet containing all of the photographic and editorial elements found in the CD Deluxe Edition. This set also includes the Nicholas Dawidoff essay. This special Vinyl Edition will be released on Friday, November 23, but is available for pre-order now.
Broken up over three movements and containing over 140 minutes of music and video, “Symphonic Terror - Live at Wacken 2017” captures Accept on stage at Wacken 2017 in front of over 80,000 metal fans alongside the Czech National Symphony performing hits such as “Die By the Sword”, “Restless and Wild” and many others including the band’s perennial hit “Balls to the Wall”. Contains 2 cds, 1 blu-ray
B.E.D is the new collaboration from Baxter Dury, French Dance music pioneer Etienne De Crécy and Delilah Holiday of London punks Skinny Girl Diet. Produced by De Crécy and Dury, the record was recorded in France between 2017 and the start of 2018. Dury says ''Etienne has created a musical background for my confessional narrative and Delilah has encouraged it to be something more emotional. It's an unlikely mix that works because its short, simple and honest.''
Holiday 7" Picture Disc featuring two original Holiday songs written by Ingrid Michaelson. Track 1 is a demo version of "Happy Happy Christmas" (studio version of this original from Ingrid's upcoming full length Holiday album, Songs For The Season) and track 2 is an unreleased original holiday song titled "December." Both songs would be RSD Exclusives.
"MISTER PEEPERS” is a song steeped in political satire, and was recently written and recorded by Ben Folds for a project in conjunction with the Washington Post Sunday Magazine. The Post approached Folds to write a song that spotlights the art of storytelling, and Folds choose to focus, with research assistance from a Post political writer, on a character currently in the news, deputy FBI Director Rod Rosenstein.
Tony Bennett and Diana Krall celebrate their shared love of the music of George and Ira Gershwin with this limited edition 10” single of Fascinating Rhythm. Fascinating Rhythm was Tony Bennett’s first physical recording in 1949, made under his then stage name, Joe Bari, which he revisits as a duet with Krall for this project. This collectable 10” single is available exclusively for Record Store Day and limited to just 3,000 copies which features a die cut jacket.
Punk legend and X co-founder John Doe has spent decades building a career that spans across various genres and even formats, with dozens of acting credits in fi lm and TV. Particle Kid is the musical identity of singer-songwriter, musician, and visual artist Micah Nelson, who - despite his young age - has an equally impressive resume. The two have played together at Willie Nelson's Luck Reunion festival and the iconic Pappy & Harriet's in Joshua Tree, CA, as well as sharing the stage for a tribute to The Doors at the Founders Award ceremony.
On this split release, the two artists cover each others' tunes with their own interpretation. As a bonus, John Doe covers a Carter Family favorite, and Particle Kid covers outsider folk hero Michael Hurley. The release is mastered at 45RPM and pressed on a 12'' gold color LP, exclusively for Black Friday.
Inspired by the likes of Stevie Wonder, Patti Smith, Carl Craig and The White Stripes, Nova teamed up with producer The Twilite Tone (Common, Gorillaz, Kanye West) and mixing engineer Andrew Scheps (Adele, Red Hot Chili Peppers, Lana Del Rey, Beyoncé) to create a stripped-down and visceral record. From the hypnotic pull of the album opener “It’s Me On The Dance Floor” to the electronic cacophony of “White Noise,” the record breaks new ground for My Brightest Diamond, certain to win over fans old and new.
The Legendary Full Performance Released For The First Time Including Many Of Bowie's Greatest Hits And Never Before Seen Footage. This release documents Bowie's legendary Sunday night headline performance on June 25 at the most famous festival on earth.
Jeff Tweedy will release, WARM, a solo album of all new material on November 30th via dBpm Records. WARM was produced and recorded entirely by Jeff at Chicago’s now legendary studio, The Loft (with help from some of his usual collaborators – Spencer Tweedy, Glenn Kotche and Tom Schick). WARM follows the acoustic retrospective release, Together at Last (2017), and Wilco’s 2016 album, Schmilco. The incredible liner notes for WARM were written by George Saunders. Jeff’s long-awaited memoir, Let’s Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc., is out November 13th via Dutton
The 1975’s highly anticipated third studio album A Brief Inquiry Into Online Relationships will be released on Friday, November 30th via Dirty Hit / Interscope Records. Their debut album The 1975 is now platinum with their most recently released album I like it when you sleep, for you are so beautiful yet so unaware of it surpassing Gold after having debuted at #1 on the Billboard Top 200.
DANIEL ROMANO FINALLY FREE Finally Free marks Daniel Romanos eighth long playing album in the last eight years. He has had what understatedly would be considered a prolific output of incredibly entrancing, poignant and creative records in this span of time. Recording, producing, designing and landing his records into the minds and hearts of scores of fans the world over. He has been called a shapeshifter, contrived, a chameleon, a Charlatan, the best living songwriter, an asshole and a genius. His last record, Modern pressure received outstandingly high acclaim and praise from every notable publication out there and was acknowledged by most reputable for-profit-prize-corporations as well as a plethora of voguish music-as-competitive-sport year end lists. Despite being the bronze placeholder in most of these dogfights, he is most often noted as a person of astounding influence on all of his musically economic successors. No matter what he does, everything he puts out is better than anything else being put out by anyone else. Unnamed Subjugate.
Glory Sound Prep is the follow-up to the New York-based artist’s RIAA Gold-certified 2016 debut album, The Human Condition, which has sold more than 1.5 million adjusted albums and amassed upwards of 1.7 billion cumulative streams. “All Time Low,” the lead single, was a Top 10 hit at Top 40 radio and is now certified 3xPlatinum. Bellion got his start with a series of mixtapes featuring his original songs – all recorded in his parents’ basement.
Multi-platinum Ohio rapper & singer Trippie Redd releases his new album Life’s A Trip which includes his latest track "Taking A Walk" produced by Scott Storch (10K Projects/Caroline). On his own terms 19-year old Trippie Redd has impacted hip-hop culture, being named “rap’s next Rockstar” by XXL, Mass Appeal, Pigeons & Planes and Noisey. In addition to his 1.2 billion+ streams he was named a Spotify “Rise Artist” Artist to Watch by Rolling Stone and landed on the 2018 XXL “Freshman Class” cover.
The [untitled] e.p. is a seven song collection released by surprise ahead of mewithoutYou’s seventh album, [Untitled]. Where the full-length album brings out some of the most intense and heavy music the band has ever written, the [untitled] e.p. shows a softer side. The tracks are the band’s most melodic and experimental since 2009’s It’s All Crazy! It’s All False! It’s All a Dream! It’s Alright. The instrumentals combine elements of folk, psychadelia and country to accompany vocalist Aaron Weiss’ slightly slowed but ever inspired delivery.
'68 Comeback Special (50th Anniversary Edition) is the definitive chronicle of the now legendary NBC-TV show, Elvis. After years of making formulaic movies, Elvis was finally unleashed to perform live again on an intimate stage with his original sidemen, Scotty Moore and D.J. Fontana. Playing "That's All Right", "Heartbreak Hotel", "Lawdy Miss Clawdy" and many of his great hits, the sheer rawness and excitement of the performances attracted unanimous critical acclaim. Greil Marcus in his book Mystery Train said, "If ever there was music that could bleed, this was it." The closing song "If I Can Dream" encapsulates every emotion that Elvis and the entire production crew felt during the making of the special. NBC-TV's Elvis is as raw and inspirational today as it was in 1968. This 50th Anniversary Edition includes all the known audio recordings from RCA's vault and all the videotaped performances are here for the first time on Blu-ray. For millions of fans, including a young Bruce Springsteen, the Elvis '68 Comeback Special was a life-changing event. "I remember I waited for weeks for the '68 Special," Springsteen recollected recently. "I knew it was coming. I can remember exactly where our TV was set up in the dining room, the exact place I was sitting. I mean, it's one of those things that's imprinted on my memory forever." CAREER-DEFINING '68 COMEBACK - * 7-Disc definitive box set chronicles the pivotal NBC-TV '68 special called Elvis and takes you behind the scenes in audio and remastered 4:3 Blu-ray video. * Contains ALL KNOWN recordings/rehearsals from the RCA vaults and from original NBC-TV videotapes. * 80-page book includes a new, oral history on the special, crafted from interviews with producer Steve Binder, recording engineer Bones Howe, Tom Petty, Bruce Springsteen, Priscilla Presley, Emmylou Harris, Scotty Moore conducted for Thom Zimny's 2018 documentary, "Elvis Presley: The Searcher." * The book also features rare photos and memorabilia and full recording data. * Over 7.5 hours of footage across 2 newly mastered Blu-ray discs, overseen by Thom Zimny. Track Listing CD 1 - The Original Album + Bonus Cuts CD 2 - First "Sit Down Show," First "Stand Up Show" CD 3 - Second "Sit Down Show," Second "Stand Up Show" CD 4 - First Rehearsal + Second Rehearsal CD 5 - The Wrecking Crew Sessions Blu-ray Disc 1 Blu-ray Disc 2
Formed in Chicago, IL in 1988, The Smashing Pumpkins released their heralded debut album Gish in 1991 and found mainstream success with 1993’s 4x multi-platinum Siamese Dream and 1995’s 10x multi-platinum Mellon Collie and the Infinite Sadness. Following the release of Adore, Machina/The Machines of God, and Machina II/The Friends & Enemies of Modern Music, the group’s original lineup disbanded in 2000. Singer/guitarist Billy Corgan reformed the group in 2005, enlisting various collaborators for Zeitgeist, Teargarden by Kaleidyscope, Oceania, and Monuments to an Elegy. In June of 2018, The Smashing Pumpkins released their new single “Solara” ahead of their monumental Shiny And Oh So Bright Tour. The track was the first song in over 18 years to feature founding members Billy Corgan, James Iha, and Jimmy Chamberlin, alongside longtime guitarist Jeff Schroeder and offered the first glimpse of music from the newly reformed lineup. In September of 2018, the band formally announced their forthcoming 10th studio album SHINY AND OH SO BRIGHT, VOL. 1 / LP: NO PAST. NO FUTURE. NO SUN. and shared its second single “Silvery Sometimes (Ghosts)”. Recorded at Shangri La Studios with legendary producer Rick Rubin, LP is due for release on November 16th, 2018 via Martha’s Music under license to Napalm Records. With over 30 million albums sold to date, the GRAMMY®, MTV VMA, and American Music Award winning band remains one of the most influential bands in history.
First ever complete retrospective of Chris Cornell’s career covering Soundgarden, Temple of the Dog, Audioslave and his solo works. This 2 LP set includes:
2 x 180gram audiophile black LPs
17 tracks highlighting Chris’ astonishing career with 2 unreleased recordings
Gatefold jacket with limited edition custom die-cut slipcase that showcases Seattle via the tree-line graphics on front and various cities Chris lived in through his life on back. Limited to initial manufacturing run.
12-page booklet with unreleased photos
Liner notes by Kim Thayil, Matt Cameron, Tom Morello, Mike McCready and Brendan O’Brien
* Denotes previously unreleased material
The 2-LP Chris Cornell edition showcases 17 songs with 2 previously unreleased of songs from all stages of Chris’ career including Soundgarden, Temple of the Dog, Audioslave and his solo works. The centerpiece to the collection is the newly discovered, unreleased track “When Bad Does Good” found in Chris’ personal audio archive which was performed, recorded and mixed by Chris himself. Creative Director for the project is Jeff Ament (Pearl Jam, Temple of the Dog) who oversaw the project design including the 12-page booklet with unreleased photos. Liner note contributions by Kim Thayil, Matt Cameron, Tom Morello, Mike McCready and Brendan O’Brien. A limited edition, custom die-cut o-card features Seattle’s tree-line graphics on the front and other various cities Chris lived in throughout his life on the back. Additional highlights of tracks include the unreleased performance from SiriusXM of the Prince classic “Nothing Compares 2 U,” Soundgarden’s “Black Hole Sun,” Audioslave’s “Like A Stone” and the theme song to the 2006 James Bond film Casino Royale “You Know My Name.”
Anderson .Paak's new album, Oxnard, is a nod to the Southern California city where Anderson grew up. It is the Grammy-nominated artist’s 3rd studio album and the first to be released on Dr. Dre’s label Aftermath Entertainment. Oxnard will include his latest single, “Tints” featuring Kendrick Lamar along with album features from J. Cole, Pusha T and many more. Earlier this year, Anderson .Paak shared with Rolling Stone that "… this is the album [he] dreamed of making in high school, when [he] was listening to [Jay-Z]'s The Blueprint, The Game's The Documentary, and [Kanye West's] The College Dropout."
Masters of the Sun will be released on CD on November 16th, 2018 on Interscope Records. This will be the 7th studio album from Black Eyed Peas, and the first album from the group since The Beginning in 2010 which debuted at #6 on the Billboard Top 200 chart.
For his new album Upside Down Flowers, out November 16, 2018 via Fantasy Records, Andrew McMahon in the Wilderness teamed up with noted producer and acclaimed musician Butch Walker (Pink, Weezer, Panic! At The Disco). Featuring standout tracks like 'Ohio,' 'Teenage Rockstars' and 'Paper Rain,' the album is a striking collection of wistful and biting tunes that reflect the past and our chaotic present.
The Chris Robinson Brotherhood is indisputably one of the hardest working bands in rock ’n’ roll. 2018 marks the fourth year in a row that they’ll play over 200 shows across the U.S. and Europe. Through that prolific touring schedule, the band has emerged a razor sharp, riveting live unit. Each evening The CRB plays two sets of music with a dynamic, ever-changing setlist. Presenting original material stretching across six studio albums, plus a repertoire of covers that runs from Slim Harpo to Bob Dylan and beyond, it’s only fitting that the band would document this output.
They’ve done exactly that through a series of live recordings dubbed, ‘Betty’s Blends’—taking its moniker from legendary Grateful Dead archivist and recording engineer Betty Cantor-Jackson who is called upon to capture The CRB’s performances in multi-dimensional, audio-verite. ‘Betty’s Midwestern Magik Blends’ is the fourth volume from the acclaimed series, gathering highlights from three shows in Milwaukee, Madison and Chicago in October 2016.
Available as a vinyl exclusive, 3-LP set with only 3500 copies released, the collection finds The CRB in peak form delivering highlights like “New Cannonball Rag,” “Forever As The Moon” and “Shadow Cosmos,” as well as adapting two from The Rolling Stones: “Down Home Girl” and “Let It Bleed” and the seldom played fan favorite, Steppenwolf’s “Magic Carpet Ride.” If the past is any indication, this will sell out fast, while quickly becoming much sought-after, so fans are advised to grab one quick.
White vinyl with red and green splatter. Includes digital download of entire album plus 4 bonus tracks - Angels We Have Heard on High, God Rest Ye Merry Gentlemen, Up On The Housetop, and Blue Christmas.
The Old 97's are excited to announce the release of their first ever collection of original Christmas songs, Love The Holidays. The album was produced, mixed & engineered by John Pedigo in the band's home state of Texas. The LP presents a sack full of rockin' new Yuletide favorites, as well as Old 97's take on holiday classics. Among its many highlights are the title track, co-written with Kevin Russell (The Gourds, Shinyribs), "Gotta Love Being A Kid (Merry Christmas)" and "Snow Angels," both co-written with acclaimed writer Ben Greenman, and the continuing saga of everyone's favorite reindeer, "Rudolph Is Blue," co-written by Old 97's and Dan Bern.
Rock and Roll Hall Of Fame and Songwriters Hall of Fame inductee John Mellencamp to release his 24th studio album Other People’s Stuff via Republic Records. Mellencamp will embark on a 26-date North American tour next year in support of his upcoming album, which will kick off 2/7/19 in his home state of Indiana. Other People’s Stuff contains covers of singer-songwriter classics. The album follows his 2017 album Sad Clowns & Hillbillies.
Wild Life’s 2LP edition features the full album remastered at Abbey Road plus bonus audio tracks including rough mixes of the album, original single edits, B-sides, home recordings and other previously unreleased material across two LPs.
Metro Boomin will release his recent album NOT ALL HEROES WEAR CAPES via Boominati Worldwide/Republic Records. The project debuted at #1 on the Billboard 200 Chart. Metro is lauded as one of the most respected producers in the hip hop world and on this album, he taps in some of the biggest names in music to lend their voices to his epic production. Notable features include Travis Scott, 21 Savage, Young Thug, Swae Lee, Offset and more!